Phantom Sustainability: Illustration and Ecoart
DOI:
https://doi.org/10.29105/pc.v4i1.35Keywords:
cómics, art, ilustration, sustainability, ecologicalAbstract
In this article, the topic of illustration will be addressed, taking into account an important area of its performance, the comics industry, essential information about its background will be seen, such as its origin and stages, and the sustainability factor that lies in it will be analyzed. The contaminating materials that are commonly used in artistic elaboration and in the assembly of the specimens will be mentioned, as sustainable alternatives for these; as well as focusing on the artistic trend of “EcoArt” (ecological art) and its contributions to sustainability. These terms will be intertwined to determine if both are congruent with each other, if they serve as support for the other part. The aim is to prove that sustainability is part of the comics industry and therefore, of illustration, the fact that you can be more sustainable in the development of large-scale artistic processes.
Downloads
References
Beaty, B. (2004). Roy Lichtenstein’s Tears: Art vs. Pop in American Culture. Canadian Review of American Studies, 34(3), 249-268. doi:10.1353/crv.2006.0031 DOI: https://doi.org/10.1353/crv.2006.0031
Beaty, B. (2010). The Recession and the American Comic Book Industry: From Inelastic Cultural Good to Economic Integration. Popular Communication, 8(3), 203-207. doi:10.1080/15405702.2010.493421 DOI: https://doi.org/10.1080/15405702.2010.493421
Bloemink, B. (1990). A Natural Order: The Experience of Landscape in Contemporary Sculpture. New York: Hudson River Museum.
Boudreau, P. R., Brehme, C. E., Boyce, A. M., Evans, A. J., Rahmani, A. & Schroeder, P. C. (2001). The Gulf of Maine Environmental Information Exchange: Participation, Observation, Conversation. Environment and Planning B: Planning and Design, 28(6), 865-887. doi:10.1068/b2749t DOI: https://doi.org/10.1068/b2749t
Bower, S. (2010). A Profusion of Terms. Recuperado en Marzo 22, 2017, de http://greenmuseum.org/generic_content.php?ct_id=306
Carod, M. (2013). “La ilustración siempre debe de expresar las inquietudes del ilustrador” [Entrevista por J. S.]. DOZE Magazine. Recuperado en Abril 07, 2017, de http://www.doze-mag.com/arte/1844-ilustracionmaribel-carod-contrafabulario.html
Dimond, T. L. (1958). Devices for reading handwritten characters. ACM DL: Digital Library. doi:10.1145/1457720.1457765 DOI: https://doi.org/10.1145/1457720.1457765
Dopico, J. A. & Iglesias, G. (2010). Economía Sostenible: Teoría y Política. España: Netbiblo, S.L.
Duncan, R., & Smith, M. J. (2009). The power of comics: history, form and culture (1a ed.). London: Bloomsbury Academic. Earth Art Movement, Artists and Major Works. (n.d.). Recuperado en Abril 08, 2017, de http://www.theartstory.org/movement-earth-art.html
Fowkes, M. & Fowkes, R. (2006). The Principles of Sustainability in Contemporary Art. Recuperado en Marzo 22, 2017, de http://greenmuseum.org/generic_content.php?ct_id=265
Götz, A., Konnertz, W., & Thomas, K. (1979). Joseph Beuys: Life and Works. Woodbury, New York: Barron’s Educational Series.
Gudynas, E. (2003). Ecología, Economía y Ética del Desarrollo Sostenible (5a. ed.). Montevideo, Uruguay: Coscoroba Ediciones.
Heintjes, T. (1986, Febrero). The Negotiations: Jack and Roz Kirby Interviewed. Comics Journal, (105), 53.
Jackson, P. (2016). Sustainability and Environmentalism in Comics. SDSU Sustainability Major Website. Recuperado en Abril 08, 2017, de http://libguides.sdsu.edu/comicsbytopic/sustainability
Jacobs, W. & Jones, G. (1985). The Comic Book Heroes: From the Silver Age to the Present. New York: Crown Publishing Group.
Kastner, J. & Wallis, B. (2000). Land and Environmental Art. Londres: Phaidon Press. Litho Ninja Comic Book Printer : Print Process (Noviembre, 2011). Recuperado en Abril 07, 2017, de https://www.youtube.
com/watch?v=-5JvT1XSFVw
Mackintosh, H. (2004, Marzo 18). Talk time: Todd Rundgren. Recuperado en Abril 08, 2017, de http://www.theguardian.com/technology/2004/mar/18/onlinesupplement
Morawska, L., He, C., Johnson, G. R., Jayaratne, R., Salthammer,T., Wang, H., Uhde, E., Bostrom, T., Modini, R., Ayoko, G., McGarry, P. & Wensing, M. (2009). An Investigation into the Characteristics and Formation Mechanisms of Particles Originating from the Operation of Laser Printers. Environmental Science & Technology, 43(4), 1015-1022. doi:10.1021/es802193n DOI: https://doi.org/10.1021/es802193n
Rahmani, A. (2013, Primavera-Verano). Triggering Change: A Call to Action. Public Art Review, (48), 23.
Tuchman, P. (2017, Enero 27). How Do You Sell a Work of Art Built Into the Earth? The New York Times. Recuperado en Marzo 22, 2017, de https://www.nytimes.com/2017/01/27/arts/design/robert-smithsonearthwork-art.html
Walasek, H. (2013). The best of Punch cartoons: 2,000 classic illustrations (1a ed.). London: Prion Books Ltd.
Weintraub, L. (2006). Eco-Centric Topics: Pioneering Themes for Eco-Art. New York: Artnow Publications.
Wildy, J. (2011). The Artistic Progressions of Ecofeminism. The International Journal of the Arts in Society: Annual Review, 6(1), 53-66. doi:10.18848/1833-1866/cgp/v06i01/35978 DOI: https://doi.org/10.18848/1833-1866/CGP/v06i01/35978
Zeegen, L. (2009). What is illustration?: Essential Design Handbooks (1a ed.). Suiza: Rockport Publishers.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2023 Patricia Vianey Ríos Martínez
This work is licensed under a Creative Commons Attribution 4.0 International License.
Los autores/as que publiquen en esta revista aceptan las siguientes condiciones:
a. Los autores/as conservarán sus derechos de autor y garantizarán a la revista el derecho de primera publicación de su obra, el cual estará simultáneamente sujeto a la Licencia Creative Commons Atribución 4.0 Internacional. que permite a terceros compartir la obra siempre que se indique su autor y su primera publicación esta revista.
b. Los autores/as pueden realizar otros acuerdos contractuales independientes y adicionales para la distribución no exclusiva de la versión del artículo publicado en esta revista (p. ej., incluirlo en un repositorio institucional o publicarlo en un libro) siempre que indiquen claramente que el trabajo se publicó por primera vez en esta revista.
c. Se permite y recomienda a los autores/as a publicar su trabajo en Internet (por ejemplo en páginas institucionales o personales) posterior al proceso de revisión y publicación, ya que puede conducir a intercambios productivos y a una mayor y más rápida difusión del trabajo publicado.